Skip to main content

Life Experience: a catalyst for inspiration and realism






“Write what you know.” ― Mark Twain


Role Models for Aspiring Authors

When aspiring writers look for advice on how to guide or develop their own writing they often come across the axiom “Write what you know”, a saying attributed to both Twain and Hemingway (I have cited Twain as he was the earlier of the two writers). 

As a novice writer one can understand how life experience acted as a powerful catalyst for some writers to make their work both realistic and highly detailed. 

If we take the action and espionage genre of fiction, then we can see clear examples of how individuals who enjoyed careers in the intelligence community went on to write highly successful spy novels. 

Ian Fleming served in the British Navy Intelligence during the second world war and his experiences were used to create the James Bond series of spy novels.  

David John Cornwell (better known by his pen name John le Carré) worked in both MI5 and MI6 before writing The Spy Who Came in from the Cold. 

Frederick Forsyth worked as a journalist, political commentator and spy, before writing  The Day of the Jackal, and The Odessa File. 

Less specialised military service has also provided authors with graphic and realistic inspiration for their writing, for example Alistair MacLean wrote his bestseller HMS Ulysses based on his own war experiences and those of his brother in the Navy.

Inspiration from Normal Life

But what if your life has not had such amazing work experiences?  Because, let's be honest, very few people are spies or special forces operatives, although you may be forgiven for thinking otherwise if you read many author’s bio descriptions.  

Human Experience:  Pain, Hunger, Joy, Love, Hate and Sadness.

Aspiring authors need not give up simply because they do not work for MI6 or serve on a battleship, because we all have experiences that can be applied to making our writing detailed, realistic and valuable to readers.   Every interaction that we have with other people is filled with rich context and often powerful emotion.  We just have to recognise them and learn to apply them into our writing.  If you pick up any great story you will see that it is these human emotions and interactions that form the basis of all great literature.  

What is the difference between the emotions involved in the love, hate, or rivalry between two spies and those of non spies?  Simply the context. 

When we talk of spies and their secrets we must recognise that we so called ordinary people have secrets as well, do we not?  The ways we see personal secrets being handled by the people in our direct experience is, in truth, indistinguishable from the emotions and responses exhibited by spies, because spies are just human beings, like us and those around us. 

I have used examples from the world of spying because spies play a role in my own writing but the same principles apply for all genres and types of writing.   Your reader is a human being, just like you and if you provide them with context that they recognise they will value the sharing of the human condition.  That is great writing.

Great Writers: Collectors and Recorders of the Human Condition

Start collecting emotions and scenes from all around you and start applying them into your own writing. When you read, notice how the author has applied human experiences to make their scenes come alive. Good luck with your own writing and remember to write what you enjoy! 


This blog post and the topic was invited by Tree District Books.  

Comments

Post a Comment

Popular posts from this blog

Forbidden Knowledge: Eastern Esoteric Traditions of Reincarnation, Consciousness and Death

Citipati, Lords of the Cemetery. Bardo Thödol. Tibetan Book of the Dead. If you have been following my posts you will already know that in writing Bridge of Souls I wanted to include, not just classic action and adventure, but also elements of the supernatural. And, when I say supernatural, I do not mean just made up hokum, as is so often the modern trend in supernatural fiction, but story elements that reflect genuine esoteric traditions and techniques. As you have gathered, mysteries have had a life long fascination for me. I have been fortunate enough in my working life to visit some of the most remote places on earth and meet some extraordinary people. During these travels I frequently came across reports of reincarnation and, when talking with advanced practitioners of esoteric paths, such as Raja Yoga , of specific techniques which manipulated the life force and consciousness. In researching these techniques I came across accounts of how advanced mysti...
Post a Comment
Read more

An alternative to the glorification of violence within the action genre

I  object to violence because when it appears to do good, the good is only temporary; the evil it does is permanent.  Mahatma Gandhi When I wrote Bridge of Souls I wanted to create a story that would provide an alternative to the existing format within much of the modern action genre, of violence for amusement or spectacle.  Since the Bridge of Souls story is an action adventure there would, by necessity, be some violence but I carefully planned the plot so that the protagonists clearly only use violence as a final resort. For example, if you examine the behaviour of Tavish Stewart in the beginning of the story, he is bound within what is often termed " the rule of law ".  His responses to extreme violence are measured and appropriate to the threat facing him and those around him. As the story progresses, and the actions against him become more and more extraordinary, his responses change, but his behaviour is always in proportion to the threat facing...
Post a Comment
Read more